Études théâtrales

Unnatural Perspectives and the “Cheverel Glove” Effect in Twelfth Night

• By Denis Lagae-Devoldère

In Études anglaises (2024/3 Vol. 77)

« Make trial of her » : feminine constancy put to the proof in Chapman’s The Widow’s Tears

• By Sylvaine Bataille

In Les Usages de la preuve d’Henri Estienne à Jeremy Bentham (2014)

Alain Riffaud, Une archéologie du livre français moderne. Préface d’Isabelle Pantin. Genève, Droz, 2011, 325 p., ill. (Travaux du Grand Siècle, XXXIX).

• By Didier Travier

In Bulletin du bibliophile (2013/1)

Moveable types: Embodied letters in Soviet children’s “living newspapers” (1920s-1930s)

• By Birgitte Beck Pristed

In Cahiers d'histoire russe et est-européenne (2024/1 Vol. 65)

The Ambassador at the Theatre

Secrecy and the Rhetoric of Diplomacy on Calderón’s Stage and in Count Pötting’s Diary

• By Wolfram Aichinger

In Bulletin Hispanique (2017/1 n° 119-1)

“The Wished Aire”: Biblical Plagues and the Early Modern Playhouse

• By Chloe Kathleen Preedy

In Études anglaises (2018/4 Vol. 71)

“Such a mistake as I have often seen / In a play”: The Duchess of Malfi, a Tragedy of Errors

• By Christine Sukic

In Études anglaises (2018/3 Vol. 71)

Modernity in Yeats’s Theatre: towards a “Poetic Monodrama” Model

• By Pierre Longuenesse

In Études anglaises (2015/4 Vol. 68)

Variations on a Reflexive Theme: the Musical Adaptations of A Midsummer Night's Dream (1692-1763)

• By Pierre Degott

In Études anglaises (2014/4 Vol. 67)

Search For a New African Theatre

• By Demas Nwoko

In Présence Africaine (1970/3 N° 75)

The Comédie-Française in London (1879) and the Call for an English National Theatre

• By Ignacio Ramos Gay

In Revue de littérature comparée (2013/1 n° 345)

Black Skin, Greek Masks: Classical Receptions, Race Reception, and African-American Identity on the Tragic Stage

• By Kevin J. Wetmore, Jr.

In Revue de littérature comparée (2012/4 n° 344)