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    <title>Art et sport | Cairn.info</title>
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    <id>tag:cairn.info,2005:rss/liste-lecture/416011</id>
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                            <entry>
    <id>tag:cairn.info,2005:article:STA_131_0015</id>
    <title type="html"><![CDATA[
        Football et littérature contemporaine. Où sont les femmes&#160;?
<i>Poule D</i> (2014) de Yamina Benahmed Daho ou l’immersion dans
le monde du football au féminin |
        Football par et pour les femmes
                    | Staps
            (2021/1 n° 131)
            ]]></title>
        <link href="https://shs.cairn.info/revue-staps-2021-1-page-15?lang=fr" type="text/html" rel="alternate" />
    <published>2021-03-25T00:00:00+01:00</published>
    <updated>2023-08-28T12:21:31+02:00</updated>
            <summary type="html"><![CDATA[Poule D by Yamina Benahmed Daho, published in 2014, is one of the
only novels currently in existence that discusses women’s soccer. A
testimony of a female soccer players seen from a writer’s
perspective, Poule D enables a new understanding of women’s amateur
soccer.In this article, we attempt to shed light on the world of
women’s soccer by looking at it from the author’s perspective,
outlining all the barriers she faced when it came to playing the
sport. Despite sports literature having experienced a boom over the
past two decades, we ask why female protagonists are still rare in
the (French) literary landscape dedicated to soccer. How can we
explain this silence while the French Football Federation
recognized women’s soccer in 1970 and while the eighth FIFA Women’s
World Cup was held in France in 2019?From a methodological point of
view, this article borrows from the sociology of literature and
questions the writing of the author. We also draw on interviews we
conducted with the author, in order to gain a better understanding
of the processes she used in the writing of her novel. Lastly, we
undertake a gendered reading of Poule D, which sheds light on the
scope of this work in terms of the history of women, and more
specifically that of women’s soccer.]]></summary>
    </entry>
                                <entry>
    <id>tag:cairn.info,2005:article:ARCO_ATTAL_2010_01_0413</id>
    <title type="html"><![CDATA[
        4<sup>e</sup> partie. Idéologies et représentations |
        Dictionnaire culturel du sport
                    (2010)
            ]]></title>
        <link href="https://shs.cairn.info/dictionnaire-culturel-du-sport--9782200355470-page-413?lang=fr" type="text/html" rel="alternate" />
    <published>2010-06-23T00:00:00+02:00</published>
    <updated>2023-08-28T12:21:05+02:00</updated>
    </entry>
                                <entry>
    <id>tag:cairn.info,2005:article:STA_103_0023</id>
    <title type="html"><![CDATA[
        Le cirque à l'épreuve de sa scolarisation. Artification,
légitimation... normalisation&#160;? |
        Artistique et sensible (2/2)
                    | Staps
            (2014/1 n° 103)
            ]]></title>
            <subtitle type="html">
            <![CDATA[]]>
        </subtitle>
        <link href="https://shs.cairn.info/revue-staps-2014-1-page-23?lang=fr" type="text/html" rel="alternate" />
    <published>2014-05-16T00:00:00+02:00</published>
    <updated>2023-08-28T12:20:19+02:00</updated>
            <summary type="html"><![CDATA[The circus at school. Artification, legitimation,
standardization?The circus, although long absent from the schools,
is now programmed as part of physical education lessons. But, at
least in the official texts, this is not the circus of sawdust,
acts and virtuosity. The introduction of circus practices in the
schools is related to its institutional and aesthetic
transformations, and to its “artification”: the circus today is
recognized as an art form. For this reason, it was able to enter
the schools legitimately, occupying the same place in the programs
as contemporary dance. It even seems to meet the hopes for a
linkage between technique and sensitivity, performance and poetry.
But how does the process of bringing the circus into the schools
work? What values and goals are attached to the circus arts? What
is understood by art and sensitivity? If, as Pierre Sansot writes,
sensitivity refers to “what affects us and resonates in us,” the
circus and artistic activities have no monopoly on sensitivity, and
they even at times lack the possibility of reconciling school
disciplines and the solicitation of the senses, in particular in
the case of tests of assessment and certification.]]></summary>
    </entry>
                                <entry>
    <id>tag:cairn.info,2005:numero:ATTRI_ARNAU_2018_01</id>
    <title type="html"><![CDATA[
        Agir par la culture
                    (2018)
            ]]></title>
            <subtitle type="html">
            <![CDATA[Acteurs, enjeux et mutations des mouvements culturels]]>
        </subtitle>
        <link href="https://shs.cairn.info/agir-par-la-culture--9782916002583?lang=fr" type="text/html" rel="alternate" />
            <published>2018-06-01T00:00:00+02:00</published>
                <updated>2023-08-28T12:17:37+02:00</updated>
                <summary type="html"><![CDATA[<p><b>Un essai qui retrace l’histoire de l’éducation populaire et
porte un regard critique sur la politique culturelle de
l’État.</b></p>
<p>La culture a-t-elle une visée émancipatrice&#160;? La sport
favorise-t-il le lien social&#160;? L’art est-il autonome et
détaché de toute contingence sociale, économique et
politique&#160;? Les loisirs permettent-ils aux travailleurs
d’accéder à la culture dominante par l’éducation, ou sont-ils le
lieu de l’élaboration d’une culture populaire singulière&#160;?</p>
]]></summary>
        <content type="html"><![CDATA[
        <ul>
                            <li>
                     Pages 1 to 6| Pages de début
                                    </li>
                            <li>
                     Pages 7 to 21| Introduction
                                            |  Lionel Arnaud
                                    </li>
                            <li>
                     Pages 23 to 71| Chapitre 1. L’invention de l’agir culturel
                                            |  Lionel Arnaud
                                    </li>
                            <li>
                     Pages 73 to 125| Chapitre 2. Une action pour quelle culture&#160;?
                                            |  Lionel Arnaud
                                    </li>
                            <li>
                     Pages 127 to 180| Chapitre 3. La politisation de l’agir culturel
                                            |  Lionel Arnaud
                                    </li>
                            <li>
                     Pages 181 to 248| Chapitre 4. Les nouveaux enjeux de l’agir culturel
                                            |  Lionel Arnaud
                                    </li>
                            <li>
                     Pages 249 to 300| Chapitre 5. L’agir culturel au concret
                                            |  Lionel Arnaud
                                    </li>
                            <li>
                     Pages 301 to 314| Conclusion
                                            |  Lionel Arnaud
                                    </li>
                            <li>
                     Pages 315 to 316| Remerciements
                                            |  Lionel Arnaud
                                    </li>
                            <li>
                     Pages 317 to 320| Pages de fin
                                    </li>
                    </ul>
    ]]></content>
</entry>
                                <entry>
    <id>tag:cairn.info,2005:article:LP_401_0058</id>
    <title type="html"><![CDATA[
        À l’École du sport |
        Sport et émancipation
                    | La Pensée
            (2020/1 N° 401)
            ]]></title>
        <link href="https://shs.cairn.info/revue-la-pensee-2020-1-page-58?lang=fr" type="text/html" rel="alternate" />
    <published>2020-05-18T00:00:00+02:00</published>
    <updated>2023-08-28T12:16:46+02:00</updated>
            <summary type="html"><![CDATA[Sport, although pervasive in society, remains a poorly defined
object. What is meant when speaking about sport&#160;? High
performance sport or sport for all&#160;? Quite paradoxically, what
is of most interest is eventually invisible, as the media image
dominates. This invisible feature is what creates its emancipatory
and educational value and what school will have to seize in order
not to reproduce the inequalities produced today by the fact that
sport is caught in the trap of economic issues.]]></summary>
    </entry>
                                <entry>
    <id>tag:cairn.info,2005:article:LP_401_0011</id>
    <title type="html"><![CDATA[
        Sport et émancipation |
        Sport et émancipation
                    | La Pensée
            (2020/1 N° 401)
            ]]></title>
        <link href="https://shs.cairn.info/revue-la-pensee-2020-1-page-11?lang=fr" type="text/html" rel="alternate" />
    <published>2020-05-18T00:00:00+02:00</published>
    <updated>2023-08-28T12:16:25+02:00</updated>
    </entry>
                                <entry>
    <id>tag:cairn.info,2005:article:ARCO_ATTAL_2015_01_0241</id>
    <title type="html"><![CDATA[
        Chapitre 12. La redéfinition disciplinaire |
        L'éducation physique de 1945 à nos jours
                    (2015)
            ]]></title>
            <subtitle type="html">
            <![CDATA[]]>
        </subtitle>
        <link href="https://shs.cairn.info/education-physique-de-1945-a-nos-jours--9782200600686-page-241?lang=fr" type="text/html" rel="alternate" />
    <published>2015-09-23T00:00:00+02:00</published>
    <updated>2023-08-28T12:15:30+02:00</updated>
    </entry>
                                <entry>
    <id>tag:cairn.info,2005:article:COM_246_0241</id>
    <title type="html"><![CDATA[
        La diffusion des cultures urbaines états‑uniennes dans
l'agglomération de Fort-de-France |
        Aspects environnementaux en Amérique latine
                    | Les Cahiers d&#039;Outre-Mer
            (2009/2 n° 246)
            ]]></title>
        <link href="https://shs.cairn.info/revue-les-cahiers-d-outre-mer-2009-2-page-241?lang=fr" type="text/html" rel="alternate" />
    <published>2009-06-01T00:00:00+02:00</published>
    <updated>2023-08-28T12:15:15+02:00</updated>
            <summary type="html"><![CDATA[American cultures diffusion in Fort de France metropolitan areaIn
the context of the globalization, the hip-hop, body system and city
skating cultures have developed all over the world. These sports
and artistic urban cultures born in the United States of America
transformed the landscapes and the spatial organization of many
urban areas. The issue underlying this research is based on the
complex spread of these american cultures in Fort-de-France and its
suburbs. This investigation shows the impact and limit of a
cultural americanisation on a French and Caribbean island more
turned towards Europe.]]></summary>
    </entry>
                                <entry>
    <id>tag:cairn.info,2005:numero:AHD_VILLE_2016_01</id>
    <title type="html"><![CDATA[
        Réveil du sport citoyen, des valeurs en partage
                    (2016)
            ]]></title>
        <link href="https://shs.cairn.info/reveil-du-sport-citoyen-des-valeurs-en-partage--9791031201375?lang=fr" type="text/html" rel="alternate" />
            <published>2016-04-01T00:00:00+02:00</published>
                <updated>2023-08-28T12:14:58+02:00</updated>
                <summary type="html"><![CDATA[<p>Loin du haut niveau, le sport est utilisé comme moyen d’accéder
à d’autres savoirs. Il est repensé en tant que tel par des milliers
d’associations diverses et de collectivités, notamment auprès des
jeunes, à des fins de santé, de mixité, de comportement,
d’éducation, d’insertion professionnelle…</p>
<p>Cet aspect généreux des liens créés par le sport se heurte à un
écheveau administratif français complexe, plutôt tourné et conçu
vers un apprentissage technique. Ce but de compétition ne répond
plus globalement à la réalité vécue d’une jeunesse confrontée à des
difficultés sociales et économiques. Des quartiers de banlieue
défavorisés à l’école, le sport est redéfini par des citoyens qui
s’en servent comme tremplin vers la « vraie » vie.</p>
]]></summary>
        <content type="html"><![CDATA[
        <ul>
                            <li>
                     Pages 1 to 7| Pages de début
                                    </li>
                            <li>
                     Pages 8 to 12| Introduction
                                            |  Olivier Villepreux
                                    </li>
                            <li>
                     Pages 13 to 26| L’éducation par&#160;le&#160;sport, un&#160;mouvement citoyen
                                            |  Olivier Villepreux
                                    </li>
                            <li>
                     Pages 27 to 41| Un&#160;terrain complexe à&#160;délimiter
                                            |  Olivier Villepreux
                                    </li>
                            <li>
                     Pages 42 to 56| Le&#160;sport d’État face au&#160;social
                                            |  Olivier Villepreux
                                    </li>
                            <li>
                     Pages 57 to 83| La&#160;culture modifie les règles du&#160;sport
                                            |  Olivier Villepreux
                                    </li>
                            <li>
                     Pages 84 to 99| Éducation nationale et&#160;éducation par&#160;le&#160;sport
                                            |  Olivier Villepreux
                                    </li>
                            <li>
                     Pages 100 to 107| L’insertion professionnelle par le&#160;sport
                                            |  Olivier Villepreux
                                    </li>
                            <li>
                     Pages 108 to 121| La&#160;part des&#160;citoyens et celle du&#160;politique
                                            |  Olivier Villepreux
                                    </li>
                            <li>
                     Pages 122 to 124| Conclusion
                                            |  Olivier Villepreux
                                    </li>
                            <li>
                     Pages 125 to 127| Changer le&#160;destin de&#160;l’autre par le&#160;sport
                                            |  Jean-Philippe Acensi
                                    </li>
                    </ul>
    ]]></content>
</entry>
                                <entry>
    <id>tag:cairn.info,2005:article:ENTRE_111_0011</id>
    <title type="html"><![CDATA[
        «&#160;Art'titude&#160;»&#160;: développer son sentiment
d'auto-efficacité entrepreneuriale par la pratique de l'art et du
sport |
        Varia
                    | Revue de l&#039;Entrepreneuriat / Review of Entrepreneurship
            (2012/1 Vol. 11)
            ]]></title>
        <link href="https://shs.cairn.info/revue-de-l-entrepreneuriat-2012-1-page-11?lang=fr" type="text/html" rel="alternate" />
    <published>2012-10-01T00:00:00+02:00</published>
    <updated>2023-08-28T12:13:59+02:00</updated>
            <summary type="html"><![CDATA[AbstractPedagogy in entrepreneurship is designed to promote
entrepreneurial skills and attitudes, essential to the management
of innovative projects and the creation or management of a company.
At various stages of schooling, many tools exist and are intended
to educate, learn about entrepreneurship, promote entrepreneurship
and assist both pupils, students or nascent entrepreneurs. The
research presented here relates to the organization of
integration’s seminar in the first year of Bachelor of a Business
School specializing in entrepreneurship. This seminar was
configured like an “immersion in entrepreneurial culture”,
displaying the objective of promoting the acquisition and the
development of behavioral skills, specific to entrepreneurship.
Artistic and sports activities were offered to students and
specific skills to each of these activities were assessed at the
beginning and at the end of the seminar. We present in this article
the results of this experimentation in terms of pedagogical
engineering (formalization of activities and of the seminar, the
framework of entrepreneurial skills) and the principally
statistical results of assessments (change in the intensity of
entrepreneurial self-efficacy, variance analysis and perspectives).]]></summary>
    </entry>
                                <entry>
    <id>tag:cairn.info,2005:article:APDEM_066_0051</id>
    <title type="html"><![CDATA[
        Les actions aidées par la Fondation Seligmann |
        La société à l’heure des réseaux sociaux
                    | Après-demain
            (2023/2 N ° 66, NF)
            ]]></title>
        <link href="https://shs.cairn.info/revue-apres-demain-2023-2-page-51?lang=fr" type="text/html" rel="alternate" />
    <published>2023-04-26T00:00:00+02:00</published>
    <updated>2023-08-28T12:13:27+02:00</updated>
    </entry>
                                <entry>
    <id>tag:cairn.info,2005:article:SM_081_0049</id>
    <title type="html"><![CDATA[
        L'écologie corporelle des transes en danse improvisée |
        Le corps en 1<sup>re</sup> personne : une écologie prémotrice
                    | Movement &amp; Sport Sciences
            (2013/3 n° 81)
            ]]></title>
        <link href="https://stm.cairn.info/revue-movement-and-sport-sciences-2013-3-page-49?lang=fr" type="text/html" rel="alternate" />
    <published>2013-09-01T00:00:00+02:00</published>
    <updated>2023-07-06T17:31:47+02:00</updated>
            <summary type="html"><![CDATA[Ecology of trances in dance improvisationFrom two testimonies in
the first person mode of speech, I question the emergence of trance
in dancing improvisations. To make this phenomenon intelligible, I
make three suggestions or hypotheses. The first is that Western
metaphysics which is based on the classical scientific thought is
unable to understand the complexity of this phenomenon. The second
is that other spiritualities, which did not separate humans from
their environment to enlighten the world and their place in the
world, have developed basic clinical knowledge. The third is that
the mental revolution of modern science, including the ecological
approach, is the most promising to understand this phenomenon.]]></summary>
    </entry>
                                <entry>
    <id>tag:cairn.info,2005:article:STA_061_0011</id>
    <title type="html"><![CDATA[
        Transformation des Arts du Cirque et identités de genre |
        Volume 24 - Automne 2003
                    | Staps
            (2003/2 n<sup>o</sup> 61)
            ]]></title>
        <link href="https://shs.cairn.info/revue-staps-2003-2-page-11?lang=fr" type="text/html" rel="alternate" />
    <published>2003-06-01T00:00:00+02:00</published>
    <updated>2023-07-06T17:28:05+02:00</updated>
            <summary type="html"><![CDATA[Abstract For almost thirty years, the circus has been experiencing
trend of “re-enchantment”&#160;: the “traditional” standard
saturation has led to the emergence of a “new” circus, a
“contemporary” circus. Within that artistic dynamism, the stagings
of woman and femininity have advanced has well. Their comparative
study in the “traditional” circus and in the “contemporary” circus
allowed us to prove that they at once bear the mark of the
emergence and the permanency of various representations of woman.
The construction of the feminine gender identity also is an
indicator of the distinction “traditional” circus - “new” circus.
On the one hand, the “traditional” circus, “transmitter” shows a
logic of reproduction of shapes, of sublimation of femininity
archetypes. By an over-differentiation of sexes, the matter is to
state an identity of sex and of single gender, according to the
current standards. On the other hand, in the “contemporary” circus,
“non-transmitter”, woman tries other selves or expresses what is
her own. Manifold in her corporeality, her suits and her parts, she
is the embodiment of a circassian post-modernisation&#160;: her
identity is plural and complex. Therefore, the arts of circus no
longer set woman to the ring, but women, through “traditional” and
“contemporary” modulations, through various facets, characteristic
of each artist.]]></summary>
    </entry>
                                <entry>
    <id>tag:cairn.info,2005:article:ETHN_081_0079</id>
    <title type="html"><![CDATA[
        Une ethnologue en «&#160;Trapézie&#160;»&#160;: sport, art ou
spectacle&#160;? |
        L’art au travail
                    | Ethnologie française
            (2008/1 Vol. 38)
            ]]></title>
        <link href="https://shs.cairn.info/revue-ethnologie-francaise-2008-1-page-79?lang=fr" type="text/html" rel="alternate" />
    <published>2008-02-01T00:00:00+01:00</published>
    <updated>2023-07-06T17:26:56+02:00</updated>
            <summary type="html"><![CDATA[AbstractBased on the results of an ethnographical inquiry begun in
2002 and consisted of interviews and observations in vivo, this
article is an attempt at analysing processes of construction
corporealities and definition of artist’s identity by trapezists.
The study starts a reflexion on the recent transformations of
circus and its labellisation as art. It shows that, even though the
experiences of the social actors are multiple and sources of
tensions. The physical dimension of this “art of circus” leads
nearness with sport&#160;: this is a reason why trapezists have to
affirm their artist’s identity. In order to contribute to a
reflexion on field work, we will explain how results have been
obtained. Indeed, other words were pronounced by trapezists,
collected and understood differently, because we observed with our
body and we felt pain.]]></summary>
    </entry>
                                <entry>
    <id>tag:cairn.info,2005:article:SOART_003_0013</id>
    <title type="html"><![CDATA[
        L'émergence d'une critique artistique&#160;: la danse hip-hop |
        La question de la critique
                    | Sociologie de l&#039;Art
            (2004/1 OPuS 3)
            ]]></title>
        <link href="https://shs.cairn.info/revue-sociologie-de-l-art-2004-1-page-15?lang=fr" type="text/html" rel="alternate" />
    <published>2004-06-01T00:00:00+02:00</published>
    <updated>2023-07-06T17:26:33+02:00</updated>
            <summary type="html"><![CDATA[But is it Art? Breakdancing in the French PressAn analysis of
articles published between 1987 and 2001 in Le Monde and Libération
reveals the substantial amount of coverage given to breakdancing by
these major newspapers. Journalists started by describing
breakdancing as a medium for social action, but now tend to qualify
it in artistic terms, thus abandoning the social and demographic
characterisations of those who practise it in favour of an
aesthetical discurse about their works. What used to be seen as a
fleeting teenage pastime is now considered to be «&#160;a new trend
in modern dance&#160;». This is not a simple case of labelling. In
redefining break dancing as an art form, journalistic discurse
actually paralleled a process of change that has been underway
since circa 1982. Indeed, a variety of actors (such as break
dancers, social workers and educators, managerial and artistic
personnel in the performing arts, public officers for government
funding) have brought about numerous changes in the content of
«&#160;street dance&#160;» and the ways it is performed. In then
construing it as an object of critical discourse, worthy of the
public’s attention, by describing it as dance and as art,
journalists have contributed to diffusing break dance far beyond
the small circle of its first constituents. By inscribing these
artists and their works in an aesthetical and historical
trajectory, by elaborating theories, critical discurse in turn
influences and directs the actions of the people it
evaluates&#160;; it defines them as worthy of financial support and
contributes to the formation of audience. But it also testifies to
the limitations of recognition that society will concede to a form
of expression that is practised mainly by the descendants of
working-class immigrants.]]></summary>
    </entry>
                                <entry>
    <id>tag:cairn.info,2005:article:AG_711_0441</id>
    <title type="html"><![CDATA[
        Les jeunes athlètes français&#160;: clubs et aires d’influence |
        Varia
                    | Annales de géographie
            (2016/5 N° 711)
            ]]></title>
        <link href="https://shs.cairn.info/revue-annales-de-geographie-2016-5-page-441?lang=fr" type="text/html" rel="alternate" />
    <published>2016-11-03T00:00:00+01:00</published>
    <updated>2023-07-06T17:23:47+02:00</updated>
            <summary type="html"><![CDATA[This article details the distribution of young athletes aged from
13 to 14 years old, and named “Minimes” (20&#160;095 licence
holders in 2014), in France. This work is based on the data given
by the French Track and Field Federation from 2010 to 2014. The
analysis of performances (n =&#160;45&#160;678) shows qualitative
(in terms of expertise) and quantitative (number of licence
holders) changes. Mapping of licence holders and sports clubs shows
a gradation in sports infrastructures, from the most populated to
the less populated regions. This trend is linked to the theory of
central places (or sports places). This study also details the
spatial configurations of track and field activities, and the
political and economic issues of sports-club amalgamations in big
cities and conurbations.]]></summary>
    </entry>
                                <entry>
    <id>tag:cairn.info,2005:article:STA_124_0023</id>
    <title type="html"><![CDATA[
        Analyse géographique sur les sports de plage&#160;au prisme des
transformations et tendances en cours. Essai de synthèse |
        Varia
                    | Staps
            (2019/2 n° 124)
            ]]></title>
        <link href="https://shs.cairn.info/revue-staps-2019-2-page-23?lang=fr" type="text/html" rel="alternate" />
    <published>2019-05-10T00:00:00+02:00</published>
    <updated>2023-07-06T17:21:17+02:00</updated>
            <summary type="html"><![CDATA[Beach sports and activities shed light on the cultures, coastal
areas, and societies they are linked to. By cross-referencing
contributions from the geography of sports, coastal geography, and
the geography of tourism, this study looks at the evolution of
leisure and sporting activities and spaces in coastal areas. The
analysis draws upon the entire range of beach sports and activities
and stems from a combination of sources: direct observation,
publication of works in the humanities and social sciences,
information collected on the internet (local or regional
authorities, associations, federations, regional newspapers, and so
on), and interviews with public and private stakeholders
interacting in coastal areas. Studying the diversity of beach
sports and activities enables the issues surrounding them, as well
as the places in which they take place and their development
conditions, to be reinterpreted. While pointing to the dichotomous
aspects (federal framework/recreational framework), this article
aims to highlight the ongoing transformations and trends whose
dominant features amount to practices associated with a hedonistic
quest in a recreational and sporting environment.]]></summary>
    </entry>
                                <entry>
    <id>tag:cairn.info,2005:article:STA_PR1_0028</id>
    <title type="html"><![CDATA[
        Lutte traditionnelle ou <i>mbapatt</i> et retour aux sources dans
le Sine |
        Varia
                    | Staps
            (2021/4 n° 134)
            ]]></title>
        <link href="https://shs.cairn.info/revue-staps-2021-4-page-93?lang=fr" type="text/html" rel="alternate" />
    <published>2021-12-06T00:00:00+01:00</published>
    <updated>2023-07-06T17:20:07+02:00</updated>
            <summary type="html"><![CDATA[Given the development of sport-business and the popular culture of
traditional wrestling in Sine, it is necessary to examine the
cultural withdrawal of Seereer identity, a source of rooting in the
family, ethnic, and village values of yesteryear, as revealed by
the use of qualitative methods. The analysis of data collected
through participant observation and semi-structured interviews with
eighteen wrestlers from the traditional villages of Boof, Patar,
and Somb, including three former wrestlers, as well as with two
village leaders, found that the return to the roots is a reality
marked by the mastery of the Seereer language, the wrestlers’
belonging to the great traditional families “thiofanes,”
faata-faata,” karé-karé,” and “simala,” and the consultation of the
pangols (Kharwaakho Thioofaan, Mam Mendis, Laga Ndongo Taaboor,
Diomay Niane, and Sigayatiaam). These elements dictate the
conditions of victory, especially through the recommendations of
sacrifices and the use of roots, bark, leaves, fruits, and flowers
from trees and/or plants suitable for the protection, celebrity,
victory, and glory of the “mbapatt” wrestler. Rooting is therefore
a condition of emergence in wrestling in Sine.]]></summary>
    </entry>
                                <entry>
    <id>tag:cairn.info,2005:article:STA_124_0059</id>
    <title type="html"><![CDATA[
        L’essence du sport. Pour une approche anthropologique et
métaphysique |
        Varia
                    | Staps
            (2019/2 n° 124)
            ]]></title>
        <link href="https://shs.cairn.info/revue-staps-2019-2-page-59?lang=fr" type="text/html" rel="alternate" />
    <published>2019-05-10T00:00:00+02:00</published>
    <updated>2023-07-06T17:18:30+02:00</updated>
            <summary type="html"><![CDATA[The aim of this article is to provide a conceptual analysis and an
essentialist definition of sport. I will also argue that the
properties attributed to sporting activities are indeed real. I
compare the following two differing conceptions of sport: – SHC:
socio-historical conception. In this conception, sport is conceived
as the set of physical practices that emerge, evolve, disappear,
and find a function and meaning within a specific social context. –
REC: realistic and essentialist conception of sport. From this
perspective, practicing sport consists in intensely engaging,
physically and emotionally, in a competition that results from a
paradoxical joint action and produces a unique outcome. Sport
reflects a characteristic of human nature, that of an ability to
cooperate in a new way, the way in which we have learned to
cooperate to develop new and specifically human acts of language.
Instead of learning how sport can be useful to us, or its value, we
must simply learn what sport is.]]></summary>
    </entry>
                                <entry>
    <id>tag:cairn.info,2005:article:TRANS_149_0025</id>
    <title type="html"><![CDATA[
        Ce que la boxe montre de l’homme |
        Le sport
                    | Transversalités
            (2019/2 n° 149)
            ]]></title>
        <link href="https://shs.cairn.info/revue-transversalites-2019-2-page-25?lang=fr" type="text/html" rel="alternate" />
    <published>2019-04-05T00:00:00+02:00</published>
    <updated>2023-07-06T17:16:13+02:00</updated>
            <summary type="html"><![CDATA[Does boxing reveal a fascination for violence, likely to be seen as
acceptable (or even profitable) through its setting of rules&#160;?
Do punches and knocking summarize it all&#160;? Instead we will try
to find out how far boxing reveals high human abilities. Physical
first&#160;: it requires what we can call a total “body”, which
means a body unifying capacities that are usually considered as
non-reconcilable. Then we will question the meaning of violence.
This one is transformed, and is not just covered up. Through the
setting of rules, boxing reaches the level of an aesthetic
experience. At last, the confrontation, far from being an animal
and regressive process, can be understood according to a spiritual
perspective, in which the human being faces the challenge of
existence. Thus we will try to mutually explain the challenge of
boxing and the challenge of existence*.]]></summary>
    </entry>
            </feed>
